I decided a year ago that I no longer want to publish books through the traditional publishing industry — even though that was my singular dream since I was nine years old.
The publishing industry is dead. Between ebooks overtaking print sales and chain stores dictating what gets published, the business is finished. It’s inefficient, outdated, bloated, corrupt, and it has willfully buried its head in the sand all these years, to the devastation of writers’ careers and literature.
It deserves to die. The publishing industry is racist, sexist, and it heavily favors white male authors over others, especially in literary fiction, which produces the next generation of American literature. If women and non-whites can’t get published and can’t get reviewed and can’t get on prize lists, we will not be able to contribute. For that reason alone it deserves to die.
Meanwhile, the rise of internet technology has brought authors closer to our audiences and given us the chance to give ourselves careers. No longer can an elite group of racist, sexist anachronisms shut the door to the rest of us. Any of us can make literature. The gatekeepers that kept so many of us out are failing because prejudice always fails — how can a business that limits the chances of large groups of people possibly succeed? Greatness always surges through.
I’ve been working on a new novel project that I’m very excited about and that will involve interaction and participation with readers. I’m not ready to publicize the project yet. However, Seth Godin’s announcement that he’s leaving traditional publishing behind is huge, and since I’ve already decided to do the same I decided I should say so. With a huge bestselling author like Godin going, the world will follow. I have no sympathy for big publishing. They had their chance, and thousands of young novelists like me had their careers thwarted or redirected because of their incompetence. I am very happy to have the T.V. and screenwriting career I have today, which I wouldn’t have had were it not for the inadequacy of the publishing industry. But now the way I feel about it is — they don’t fucking get to publish my novels. I will publish them myself. Because I’m better at marketing myself than they are. I’d rather sell ebooks than print — because that’s what I would rather buy.
I just spent an hour searching the internet for statistics about the racism and sexism in the publishing industry. Couldn’t find any — I know I’ve read some before, so if anyone can send some, please do. However, anyone working in this business knows about it already. Here are a few pieces I did come across:
Literature Gender Gap. Majority of readers are women but 30% or less of books published by literary houses are by women: http://su.pr/2Ag3sO
Some male critics review male writers by a 3:1 ratio. http://www.bookslut.com/blog/archives/2011_02.php#017213
And these statistics excerpted from an article by T. K. Kenyon (see link below): Percentage of book reviews for male authors vs. female authors for 2006 in major review publications: 56%:44% Percentage of book reviews for male authors vs. female authors for Jan-June 2007 in major review publications: 63%:37% Percentage of book reviews for male authors vs. female authors for at the New York Times Review of Books (very influential): 72%:28% Ratio of male book reviewers to female reviewers at the New York Times Review of Books: 2:1 Percentage of articles written by men to those written by women in the five “thought leader” magazines: 3:1 Percentage of male book buyers to female: 45%:55% Women constitute only 17 percent of opinion writers at The New York Times, 10 percent at The Washington Post, 28 percent at U.S. News & World Report, 23 percent at Newsweek and 13 percent at Time. Overall, only 24 percent of nationally syndicated columnists are women. From: http://www.bloggernews.net/112350