Risk

drama, features, screenwriting, storytelling, T.V. writing, women

I think the Ed O’Neill character on “Modern Family” is based on my real dad. He’s engaged to his 29-year-old maid. She’s an evangelist from Brazil. He still pays her to clean the house.

This is not the kind of story I would ordinarily tell on the internet, because I’m a private person by nature. But I’ve been thinking a lot about what I want this space to be. And I’ve decided — if I’m going to write about story, I need to fucking tell stories, right?

Story is risk. When you’ve got something to lose, you’ve got a story to tell. When you’ve got something big to lose, you’ve got a big story to tell.

Though on the surface it’s funny, the story of my dad feels raw, acute, and dangerous. Talking about it publicly feels risky. I feel like I have everything to lose — by telling it, I risk being unsafe, insecure, unloved, or exposed. And that’s where this story lives — where the risk is.

Get big, get brave, get risky, or don’t tell stories — because no one gives a shit about the story of how comfortable, complacent and compliant you are.

Story doesn’t grow in the middle of the road. But my dad’s fiancee’s village in Brazil seems to have plenty of poor relations who need new houses (hint hint Dad) where I suspect it thrives.