Story Shorthand

screenwriting, storytelling, T.V. writing

Fiona Akerman

I used to write slowly. As a novelist, I would meander, let myself go, simmer, get stopped up, go around in circles, find my way again and again. I still do that, I just do it very fast now.

If you’re on a deadline, but want to write a rich story fast, here’s a shorthand:

Every character gets an arc that hits at least three beats:

  • We meet them when they’re low — or don’t know yet they’re about to take a big fall.
  • They struggle with a new challenge.
  • They change as a result.

Show each of these beats in a scene or scenes consisting of:

  • a visual image
  • an emotion
  • a question in the mind of the audience — what comes next?

Weave these scenes together like a building conversation: each scene interviews the next, asking a more insistent question that’s only partially answered by the next, which answers a question with its own question in turn. Building in speed and intensity.

Every moment in your story is a great moment — if it’s not, lose it.

If you’re on a tight deadline, you can use this shorthand to develop a pretty tight story. Once you’ve got the story down, you canĀ get profound.