journalism


30
Aug 09

Why Do You Need Slaves? To Make Handmade Sand

In this fascinating, heartbreaking interview, Benjamin Skinner, author of A Crime So Monstrous: Face to Face with Modern-Day Slavery, discusses the four years he spent investigating the current condition of slaves around the world.

There are more slaves now than at any other time in human history: 27 million.

Skinner discusses the time in Romania he was offered a young girl with Downs Syndrome and slashes all over her arms as a sexual slave in trade for a used car, as well as being offered sexual-servant children in broad daylight in Port-au-Prince for $100. He talked them down to $50.

History’s worst stories just keep getting told over and over: as writers, our jobs are to find them, bring them to light, and show how they are the same but different.

TM: To go back to the definition: Forced to work against their will with no escape.

BS: Held through fraud under threat of violence for no pay beyond subsistence. These are people that cannot walk away.

I stumbled upon a fellow in a quarry in Northern India who’d been enslaved his entire life. He had assumed that slavery at birth. His grandfather had taken a debt of 62 cents, and three generations and three slave masters later, the principal had not been paid off one bit. The family was illiterate and innumerate. This fellow, who I call Gonoo — he asked me to protect his identity — was still forced to work, held through fraud under threat of violence for no pay beyond subsistence.

Since he was a child, he and his family and his children, along with the rest of the enslaved villagers, took huge rocks out of the earth. They pummeled those rocks into gravel for the subgrade of India’s infrastructure, which is the gleaming pride of the Indian elites.

They further pulverized that gravel into silica sand for glass. There’s only one way that you turn a profit off handmade sand, and that’s through slavery.

via There Are More Slaves Today Than at Any Time in Human History | Rights and Liberties | AlterNet.

  • Share/Bookmark

29
Jul 09

Paris Evolving Under the Gaze of Notre Dame’s Gargoyles

A lovely photographic piece about Paris evolving under the noses of Notre Dame’s gargoyles:

Paris Evolving Under the Gaze of Notre Dame’s Gargoyles.

  • Share/Bookmark

29
Jul 09

Four boys charged in the rape of an 8-year-old girl – Los Angeles Times

This story is devastating and incredibly tragic. All four of these children’s lives are ruined–not to mention the parents who now have to live with the fact of having refused to take their raped daughter back–and it brings up all kinds of questions about culture, identity, sexual and gender politics considering everyone involved are Liberian immigrants living in the United States. Would make for an incredibly powerful novel or feature for anyone able to take it on.

A 14-year-old boy is charged as an adult. The other boys — ages 9, 10 and 13 — are charged as juveniles. Authorities say the victim’s family has rejected her for bringing shame on them.

Associated Press

July 24, 2009

Phoenix — Authorities said Thursday that four boys ages 9 to 14 took turns raping an 8-year-old girl for more than 10 minutes after luring her into a shed with chewing gum, and now her family has rejected her for bringing shame on them.

“The father told the case worker and an officer in her presence that he didn’t want her back,” Phoenix Police Sgt. Andy Hill said. “He said, ‘Take her, I don’t want her.’ “

The victim is in the care of Child Protective Services, authorities said.

The 14-year-old boy was charged Wednesday as an adult with two counts of sexual assault and kidnapping, the Maricopa County Attorney’s Office said. He is being held without bond.

The other boys — ages 9, 10 and 13 — were charged as juveniles with sexual assault. The 10- and 13-year-old boys also were charged with kidnapping, the county attorney’s office said.

Phoenix investigators said the boys lured the girl to an empty shed July 16 under the pretense of offering her gum. The boys held her down while they took turns assaulting her, police said.

“She was brutally sexually assaulted for a period of about 10 to 15 minutes,” Hill said.

Officers responded to an emergency call about hysterical screams. They found the girl partially clothed and the boys running from the scene.

via Four boys charged in the rape of an 8-year-old girl – Los Angeles Times.

  • Share/Bookmark

17
Jul 09

Pulling Back the Curtain on New York Times Book Reviews : Selling Books

Most people who write books have two dreams: to go on Oprah and to get reviewed (favorably, ‘course!) by The New York Times Book Review. Following is an expose on how that happens. (N.B. It don’t look good for first-novelists. It never does.)

The process of deciding what gets reviewed and what doesn’t is quite demanding work. “It begins with the clerk who goes through the pile of 750 to 1000 advance manuscripts that the office receives each week,” says Gewen. However, don’t expect your self-help book, reference guide or travel manual to get any attention in the initial review by the clerk. Those books are “tossed.”

Then, the rest of the manuscripts are taken to Tanenhaus’s office where the senior editor and deputy editor divide them up and get rid of more.

This leaves the six preview editors with about 25 books to look through. Keep in mind this winnowing process has just cut upwards of 750 or more books! Gewen said he spends at least a half hour on each book and chooses four or five, then rejects the others. Reasons most often cited for exclusion, “too narrow for us” or “workmanlike.”

In an interview with Tanenhaus by Michael Orbach of “Knight News, ”If a writer is not bringing something new to the conversation or is not very well-established with a following, long-awaited book, or has really superb narrative or analytical skills, there’s a good chance the book won’t get reviewed.”

In another article that tries to depict the workings of The New York Times Book Review, “The Book Review: Who Critiques Whom- and Why?” by Times Editor Byron Calame, Tanenhaus continued to say that books often get rejected because they “lack originality” or are “packaged assemblages of smaller pieces.”

And for those of you authors who want your first novels to be reviewed, Tanenhaus said, “It has to be strikingly good.”

via Pulling Back the Curtain on New York Times Book Reviews : Selling Books.

  • Share/Bookmark

14
Jul 09

The Paris Review – The Art of Nonfiction No. 2

Gay Talese interviewed in The Paris Review. He writes all his notes and outlines on the cardboard shirt boards that come from dry cleaners.

INTERVIEWER

Your piece “Frank Sinatra Has a Cold” is often singled out as the classic work of New Journalism. How did that assignment come about?

TALESE

Harold Hayes, my editor at Esquire, said, I have your next piece: Sinatra. I told him I didn’t want to do it. Sinatra had been done to death. I mean, Christ, another piece on Sinatra? But Hayes is a strong person with a polite manner who got his way. So I go to the Beverly Wilshire in Los Angeles and I call Sinatra’s press agent, Jim Mahoney. He says Frank’s not feeling well. He has a cold. Mahoney is also not happy about other things. He’s unhappy about this rumor that Sinatra is friends with organized crime figures. Mahoney says, We may want you to sign an agreement saying we can see the piece first. I say, I can’t do that. He says, Then we might not have a deal. At the end of the week, I’m still in the hotel room, and Mahoney calls to ask me what I’m doing. I say, I’m waiting for you to call me. How’s Frank feeling? Well, he’s not very good. I say, He still has a cold? He says, Yes, he still has a cold. He brings up the agreement issue again, and again I say that’s a problem. He says, I understand you’ve been seeing people. Yes, I’ve been seeing people. You’ve been seeing some of Frank’s friends? I say, I don’t know if they’re Frank’s friends, but I’ve been seeing people. He asks me, How long are you going to be doing this? I don’t know, I say, and then he hangs up.

That night I’m sitting at a bar around ten o’clock, watching people, and sure enough I notice Frank Sinatra sitting down the corner of the bar with two blondes. Sinatra goes to play pool and I witness a scene between Sinatra and a guy named Harlan Ellison, and I write it down on a shirt board. But I don’t get it all, so I go up to Ellison and ask him if I can talk to him the next day. He gives me his phone number and address. When we speak in person I ask him not just what everyone said, but what he was thinking. I always ask people what was on their mind. Were you surprised by Sinatra? Had you met him before? Did you think he was going to hit you, or did you want to pop him? Then someone I knew had a secretary who had gone to school with Sinatra’s daughter Nancy. She told me this great story about how she went to this party at the Sinatras’ house. At the party she accidentally knocks off from the mantle an alabaster bird. And little Nancy says, Oh no, that’s my mother’s favorite. Then Frank Sinatra knocks the other one off.

via The Paris Review – The Art of Nonfiction No. 2.

  • Share/Bookmark
Get Adobe Flash playerPlugin by wpburn.com wordpress themes