features


5
Aug 09

Turns Out Blackwater Founder Not Such A Great Guy After All

Two former Blackwater employees have come forward anonymously to accuse Blackwater founder Erik Prince of murder and other serious charges. The private security companies–which contract with the federal government to provide certain military functions yet operate without the restriction or oversight that keeps the actual U.S. Military in check–are one of the giant black holes in our democracy. If it has any merit, this story seems typical of the lawlessness and arrogant, unchecked power with which they’re operating. It’d make a fantastic feature.

Two men who worked for Blackwater allege in a federal lawsuit that Blackwater founder Erik Prince or his agents murdered one or more people who were planning to provide information to federal authorities about criminal conduct by the company and its operatives in Iraq.

The two are identified in court papers only as “John Doe #1” and “John Doe #2” because, they say, they fear violent retaliation themselves for making the allegations.

In his statement, he says Prince “views himself as a Christian crusader tasked with eliminating Muslims and the Islamic faith from the globe.

“To that end, Mr. Prince intentionally deployed to Iraq certain men who shared his vision of Christian supremacy, knowing and wanting these men to take every available opportunity to murder Iraqis. Many of these men used call signs based on the Knights of the Templar, the warriors who fought the Crusades.”

Going to Iraq to shoot and kill Iraqis was viewed as a sport or game, “John Doe #2” says, adding that Prince’s employees openly used racist terms for Iraqis and other Arabs such as “ragheads” and “hajiis.”

For example, he says, Blackwater executives would speak of going to Iraq to “lay hajiis out on cardboard.”

via In suit, ex-workers accuse Blackwater founder of murder | HamptonRoads.com | PilotOnline.com .

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29
Jul 09

Four boys charged in the rape of an 8-year-old girl – Los Angeles Times

This story is devastating and incredibly tragic. All four of these children’s lives are ruined–not to mention the parents who now have to live with the fact of having refused to take their raped daughter back–and it brings up all kinds of questions about culture, identity, sexual and gender politics considering everyone involved are Liberian immigrants living in the United States. Would make for an incredibly powerful novel or feature for anyone able to take it on.

A 14-year-old boy is charged as an adult. The other boys — ages 9, 10 and 13 — are charged as juveniles. Authorities say the victim’s family has rejected her for bringing shame on them.

Associated Press

July 24, 2009

Phoenix — Authorities said Thursday that four boys ages 9 to 14 took turns raping an 8-year-old girl for more than 10 minutes after luring her into a shed with chewing gum, and now her family has rejected her for bringing shame on them.

“The father told the case worker and an officer in her presence that he didn’t want her back,” Phoenix Police Sgt. Andy Hill said. “He said, ‘Take her, I don’t want her.’ “

The victim is in the care of Child Protective Services, authorities said.

The 14-year-old boy was charged Wednesday as an adult with two counts of sexual assault and kidnapping, the Maricopa County Attorney’s Office said. He is being held without bond.

The other boys — ages 9, 10 and 13 — were charged as juveniles with sexual assault. The 10- and 13-year-old boys also were charged with kidnapping, the county attorney’s office said.

Phoenix investigators said the boys lured the girl to an empty shed July 16 under the pretense of offering her gum. The boys held her down while they took turns assaulting her, police said.

“She was brutally sexually assaulted for a period of about 10 to 15 minutes,” Hill said.

Officers responded to an emergency call about hysterical screams. They found the girl partially clothed and the boys running from the scene.

via Four boys charged in the rape of an 8-year-old girl – Los Angeles Times.

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15
Jul 09

Preston Sturges: 11 Rules For Box Office Appeal

Eleven Rules For Box Office Appeal:

1. A pretty girl is better than an ugly one.

2. A leg is better than an arm.

3. A bedroom is better than a living room.

4. An arrival is better than a departure.

5. A birth is better than a death.

6. A chase is better than a chat.

7. A dog is better than a landscape.

8. A kitten is better than a dog.

9. A baby is better than a kitten.

10. A kiss is better than a baby.

11. A pratfall is better than anything

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11
Jul 09

Writing Pictures: Ann Hornaday on the Art of the Hollywood Screenplay – washingtonpost.com

Interesting article about the importance of the screenplay, taking “The Hurt Locker” as its example. I’m writing action now and know that dilemma between economy and describing every punch as if it were happening in a novel.

“When he was writing “The Hurt Locker,” screenwriter Mark Boal — who based the script on reporting he had done as a magazine journalist in Iraq — first struggled with perspective: Through what point of view would the story be told? “I finally settled on something that was most like the kind of writing I did for magazines, where you’re bopping between third person and first person, but in a reportorial, New Journalism kind of way.” From there, he said, it was a constant question of adding description and detail to every scene. (Early drafts even included whole paragraphs describing the psychological states of each character.)

Such detail is especially important in scripts for action movies, which at their worst will simply say, “Two men shoot at each other on a deserted street,” and leave it at that. The result is often something as generic and unspecific as the writing. “With Kathryn, we painstakingly fleshed out every nook and cranny of the action sequences in order to make them feel realistic,” says Boal. “In the right context, a detail that normally doesn’t seem suspenseful can be suspenseful, like putting on a bomb suit. . . . You know there’s a reason you’re seeing all this, you’re just not sure why.”"

via Writing Pictures: Ann Hornaday on the Art of the Hollywood Screenplay – washingtonpost.com.

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