abandonment


22
Feb 10

You Blow Stuff Up

Before my dad disappeared to sail around the world when I was 11, I spent every other weekend with him. All he wanted to watch was war movies. I HATED war movies — I was a little girl. A girly-girl. Before my world exploded.

Now, all I watch is war footage — documentaries, YouTube videos, movies about Iraq and Afghanistan. It’s because I’m completing a pilot about Iraq — and thinking about turning the pilot’s cut file into a feature. But the fact remains, that I’m watching my dad’s movies now. I am awake to symmetries in my life. Motifs. There are no accidents.

My dad loved watching people blow stuff up. I love watching what happens to people when they get blown up. War thrusts our worst inwards outward. I am compelled by people losing that much, that quickly.

I posted this story on Twitter a few days ago, in which Capt. Alexander Allan discusses pictures from his new book Afghanistan: A Tour of Duty. One of his comrades had his leg blown off. His buddies found the leg some time later, wrapped in a sheet. They made sure it wasn’t booby-trapped and took it back to camp. They burned it, manning the fire in shifts. Each took his turn to say goodbye. They let go.

I can’t stop thinking of these soldiers burning the leg. Can’t stop thinking of what I’ve left behind, that needs burning.

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10
Jan 10

You Make Me Want To Vomit

Eating disorders are our safest, most acceptable way to commit violence.

My teenaged anorexia moved into bulimia at the end of my senior year of high school. I had won a full scholarship to Tulane University, so my family and I drove down to New Orleans to check out the school. The pressure on me had built to a breaking point:

  • getting into the right college
  • finding money for college
  • not having friends
  • not having boyfriends
  • father not loving me
  • staying skeletally thin so I would look on the outside the way I felt on the inside, so the world could see something bad happened here.

And there was more. Anorexics obsess about food — they don’t eat it, so they think about it and talk about it and cook it and encourage others to eat it. In New Orleans, the pressure met with all the food and the obsessing about food, and instead of eating as little as possible — I binged. I binged so hard and so thoroughly — on po-boys and beignets and jambalya and whatever came my way — and then I had to sit with that, all that. I had to sit with the fact of being nourished, which wasn’t who I was. So I forced myself to throw up for the first time.

It happened again probably the next day. Then maybe a week later. Then a few days after that. Then, like all addictions, it became a daily habit. Within months, it was multiple times a day. Very soon I was praying to God to help me stop.

I threw up every day for a year and a half.

I popped a blood vessel in my left eye from the pressure of constant vomiting. The white of my eye was blood red for a month. I liked it. I looked brutal. I looked brutalized. I looked on the outside the way I felt on the inside: used, worn out, beat up, violently ill. Abandoned. I was 18.

The summer between high school and my freshman year at Princeton, I babysat for this woman in my hometown whom I really looked up to. She had this energy that I admired — tough, confident, brave, bold, earnest. One day we sat in her kitchen, and she talked about how tough it is to be a woman. She said something like “I even used to have that bulimia thing, where you make yourself throw up.”

I don’t know whether she knew about me or not, but she must have seen I was struggling. With something. I felt ashamed.

My bulimia continued through my entire freshman year of college and through the following summer. It’s difficult to find places to binge and throw up multiple times a day on a college campus, but when you’re that addicted, you find ways. All addicts do.

I lost my gag reflex and resorted to more and more violent ways to purge. Sticking handles, butter knives, anything that would fit down my throat. I drank hydrogen peroxide for a few weeks, because the vet told us to give that to our dogs to make them throw up after they drank poison.

Once I had eaten a ton of spaghetti, and when I threw it up, the noodles hung out of my throat. I had to pull them out.

I started throwing up flecks of blood. I didn’t know how to stop. Virtually every session ended with me lying face down on the bathroom floor beside the toilet, eyes watery from the violence, mouth raw, wiping saliva and vomit from my chin with toilet paper or the back of my arm, praying to God to help me never to do this again. Begging God to never let me do this again.

Hours later I would do it again.

The binge/purge cycle is something no one fully understands, but here’s an attempt: you use too much of something that feels good (food or something else) to stuff down anxiety or despair or any unbearable thoughts or feelings. The harder, faster or more violent you stuff these feelings down, the harder and faster the recoil, which is when you need to purge. You’ve binged, and suddenly you’re sitting there with an unbearably stuffed gut — the very feeling you’ve spent most of your life avoiding, which is what lead to a bingeing mind-set to begin with. You think the food is the feelings, the fullness is the problem — if only you hadn’t binged, you wouldn’t be feeling this badly. If you get rid of it, it’ll all go away. So you purge, and for a little while, you do feel much better. The uncomfortable fullness is suddenly gone. You experience a sense of clearing, euphoria from purging — a release. All those feelings you tamped down with the food are gone now, as if the food was a sponge, and it all came up. But you’re still you, and the disquiet gathers again soon, depending on how quickly you’re cycling.

Here’s how it ended: my family began to realize what I was doing. Together with my boyfriend and my sister, they held a kind of intervention and said I wasn’t allowed to go back to college unless I got professional help for my eating disorder. My mom was very upset because she knew someone who died of bulimia — it has one of the highest death rates of any mental disease. They all watched me around the clock. I called the school and made arrangements to start the eating disorders recovery program the next week. I haven’t thrown up again since that day. I had problems with binge-eating and a disordered relationship with food  for years afterwards, but I didn’t throw up again. I just kept repeating the stuffing down of the cycle, without any of the joy of release. What kept me from purging again was I knew I was an addict: I knew once I started down that road again, I wouldn’t be able to stop. One drink for an alcoholic is the end, and one purge is another year in the toilet. Seeing my mom cry about how she didn’t want me to die was enough to sober me up.

Eating disorders are about wanting to be skinny, but not in the way you think. I had a father who didn’t love me and who always told me I was too fat, I was just like my mother whom he had left. My sister was wiry and tomboyish, and I was slow and feminine. He loved my sister, or felt affection for her. Because she was like him. So it is about love. But not just about love. It’s about identity, who you are. If you see yourself as fast and capable and competent and lovable, but your body looks like the opposite of all those things, you feel compelled to change that. But it’s more than that, too. If you’ve been violated, there’s no way to change what happened but to change your body. There are more reasons.

When I got back to college, I had an intake session with one of the eating disorders counselors, and I said “I haven’t thrown up in over a week, so I feel really good about that.”

She said “I feel sorry for you.”

“Why?” I said.

“Because now all that stuff you were forcing down is going to come up. Now things are going to get ugly for you.”

And they did.

Some time after that woman I admired told me about her bulimia, I ran into her at a hometown restaurant. I grabbed her kid and held her on my hip, and then I saw her. Her eyeball was blood red.

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2
Jan 10

Vulnerability Delivery Machine

You don’t want to know what I think. You want to know that I never stop worrying about my career, my future. I never feel safe.

You want to know that relationships leave me feeling unsettled, like I never know when the other shoe will drop. And that I keep editing this piece about relationships. That’s how uncertain I feel about my place in the world.

You want to know that I’m afraid I spend too much time alone. But that I feel like I can’t afford to spend any less time writing, if I have any hope of getting my career off the ground.

You want to hear about how I’ve been so focused, so determined, so intense this year, that I’m afraid a hardness is setting in. And how that doesn’t feel like who I am — how I’m soft and vulnerable by nature, or I used to be. Before my entire life became devoted to finding safety, securing my future. Finding writing jobs.

Maybe you want to know that I both love sex and fear it. I don’t want to feel that way. Maybe you don’t want to know.

Maybe you want to know that I feel adrift in the world. Distant and disconnected. I feel increasingly distant from my parents — both concerned about them and unable to help them. I’ve felt distant from my sister for many years.

Maybe you don’t want to know that this blog scares me — though it’s good for my inner life, my writing life, because here I force myself to get big and bold and confrontational and honest — it makes me feel naked in public, like I’m doing emotional porn — and it makes me feel connected to people in a way I don’t trust. When I share these carefully edited, raw glimpses inside me, it’s easy for people to think they like me. But I don’t show all the stuff you wouldn’t like. That’s the next step.

Story functions to deliver vulnerability: when it operates efficiently, we feel what you feel. Problems rise when you’re afraid to let us feel what you feel. Because of pride, shame, fear of exposure, ego, or because you don’t really know what you feel. You throw wrenches in the cogs or you drain the oil or you cover the whole machinery with a tarp because you don’t really want to get vulnerable. You resist the function of story, the very reason you set the machine to running.

Would you run up to a person and say “I have something really important to tell you — listen to this –” and then turn your back, cross your arms and scowl? Maybe you would, that tells a certain kind of story. But it doesn’t tell much. And that’s what you do when you tell a story that doesn’t deliver vulnerability. You shut off the audience, deny them access to you. You may still speak, but they can’t hear you.

Most protagonists are common folks, down on their luck, in the middle of crisis — we encounter them when they’ve lost a child, lost a job, hate their job, hate their spouse, can’t find love, hate their parents, don’t have parents, don’t have a country — and then something really bad happens to them, the action of the story. They’re low to start because they’re vulnerable, so we can access them. In stories, characters’ external circumstances reflect their internal circumstances. This is true of life as well. If you want to show that a character feels distant and disconnected, have her write a blog post like this one. Well, maybe not — the act of writing is difficult to dramatize. Perhaps have her attempt to teach these things to a mentoring student who has contempt and doesn’t listen and then have her emerge to find her car has been stolen. And she doesn’t know who to call.

If you did one thing today that felt like a risk, where you felt exposed, where you left yourself open to criticism in public, you left a placeholder in your heart that keeps that spot open when you sit down to tell stories. You drive wedges in there day after day to keep your heart open. Let your story machine function as it should: remove the wrenches and tarps, replace the oil. The story that pops out will run fast, function on max capacity.

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7
Nov 09

My Worst Secret

I am abandoned. That’s my worst secret. The secret that gave birth to the rest.

That was the secret behind those two football players in college –

I am abandoned.

That was the secret behind every relationship I’ve ever had –

I am abandoned.

That is the secret that made me a writer –

I am abandoned.

I’ve made it my life’s work to protect this secret like a child, nurture it and let it grow. I understood early that no one could know the worst thing about me — this was mine. I should keep this secret locked inside, never to see the light of day, never to get out and converse in public and come back changed. I would never abandon it — it was me. I couldn’t abandon myself.

I was five the day my dad left. He sat me down, alone, and said “I’m leaving and I’m never coming back.” Fat tears rolled down my cheeks, and I fought to hold them in. He said “don’t cry.” Later that day, as he packed all his stuff in a moving truck, I got stung by a bee. And I was glad — I could scream.

My mom used to play Simon & Garfunkel’s “I Am A Rock” and say to me “That’s you, Julie.” Because — a rock feels no pain. And an island never cries.

This week I told my dad — in a text — that I wasn’t going to speak to him anymore. It was the most cowardly way possible to do it. By text. In the middle of the night. After dodging his calls for a few days. I wrote “Our last conversation was extremely upsetting to me, so I’m not going to speak to you anymore for a while.” I added the “for a while” to soften it for him. And for me. Because I’m too cowardly to just end it here and now.

He didn’t respond.

Since leaving that first time when I was five, my dad has found colorful and newer ways to abandon me again and again. When I was 11, he disappeared off the face of the earth — only to call from South America a few months later to say he was sailing around the world with his then-wife. And to say how much fun he was having. Once, he admitted he loved my sister but not me. He once said to me “no man has ever loved you, and no man ever will.”

When I remind him of these things — and more — he asks me why I can’t just get over it. Because we both did wrong.

I never did anything wrong. The only thing I’ve done wrong is stay too long in a losing fight.

John August says the villain doesn’t always know he’s the villain. That’s part of what’s kept me swinging in the mud this long — I am an empathic person. I see myself in my father. We give to others what we want them to give us. Consciously and unconsciously. All my life I’ve tried to nurture him, and counsel him, and care for him, and empathize with him, and help him, and have compassion for him. I see in him the wounded, abused, abandoned creature I see in myself. I have tried hard to show him how to love that person. To do it for both of us. I have pursued him like a lover. I have been rebuffed.

Choosing no longer to speak to him is big and terrible and freeing and sad for me. It means giving up on my lifelong dream, the goal I’ve spent my life chasing — to get that man to love me. I know cutting him off now is just a gesture — no doubt I’ll continue this pursuit in various forms until I find a way to put it to rest. Still, this was very difficult for me. People have been telling me for years I needed to do it, and I resisted. I told them I felt it would be a heavier psychic burden to deal with the fact of not speaking to him — of having cut him off — than to have to live with that cloud hanging above my head.

Because now I have abandoned him.

In the hours and days after I did it, I watched my phone. Afraid a raging, wailing, screaming child would rise up from that phone to recriminate me — the child I see in the mirror. I relaxed as I realized — nothing was going to happen.

So long as I needed to keep this secret, he had power over me. He had me in his thrall.

I am abandoned.

And I loved him. I love him. I love him the way you do a child you’ve raised, who doesn’t love you back. The way you love a person who doesn’t want your love. I have a long history of loving men who don’t love me back. It started here. I know it’s not enough to just end it with him and expect my lifelong patterns to fall away. But it’s a signal. Instead of busying myself, anxiously chasing relationships and sidestepping the truth within the heart that wants them — I now say –

I am abandoned.

And I thank those football players in college, because, while it was hell living across the hall from them for an entire year, I now see they were on my team. As painful as that night, and the following morning, and the following year was — they were there to show me what I am –

I am abandoned.

As painful as it is to love someone who doesn’t love me back — and know I’m doing this to myself — I’m glad and I thank you — because your not loving me opens my eyes to the place where I live –

I am abandoned.

Keeping secrets is resistance. Resisting what’s true. Resisting moving forward. Resisting the opening of the space the secret takes inside you. Revealing secrets releases resistance, allows you to say –

I am abandoned.

Stories are secrets revealed bit by bit. You can start with the secret and take the long road to reveal how it happened. Or you can start with the consequences of the secret — what just happened because of your character’s secret? What happened before that to cause it? How did The Secret cause these things to happen, and how can you invest these events with a sense of depth, gravity, significance, reality, purpose and comedy, because you know what The Secret is — and we don’t? Most importantly, what happens next? How does The Secret inform what happens next? Does anyone know The Secret, including the character it’s about? The Secret doesn’t have to be some big hairy deal. Entire lives can be built around a secret as simple as –

I am abandoned.

Find the secret, and you’ll find your story.

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24
Aug 09

Uncrowded House

An abandoned and overgrown house in Detroit.

An abandoned and overgrown house in Detroit.

Abandonment is viscerally compelling for me: I’ll let my inner child do a guest post to explain why soon. Luckily, there’s a new Internet trend to catalogue abandonment in all its forms, from objects to places to … other. I love it: these photos inspire so many stories, so many metaphors. You think of who left and who was left, who has furtively moved in, who will get caught being there, who will possibly come back. These are settings for revisited childhoods, post-apocalyptic futures, worst case scenarios that have actually occurred. And yet there’s hope here too: after all, these houses have gorgeously reverted to nature. Where I’m from in Georgia, you see many old ramshackle places like this out in the country overtaken with kudzu.

Sweet Juniper! is a Detroit blog that does a great job with abandoned places:

Abandoned houses are really no big deal here. Some estimate that there are as many as 10,000 abandoned structures at any given time, and that seems conservative. But for a few beautiful months during the summer, some of these houses become “feral” in every sense: they disappear behind ivy or the untended shrubs and trees planted generations ago to decorate their yards. The wood that framed the rooms gets crushed by trees rooted still in the earth. The burnt lime, sand, gravel, and plaster slowly erode into dust, encouraged by ivy spreading tentacles in its endless search for more sunlight.

Another abandoned "feral" Detroit house.

Another abandoned "feral" Detroit house.

via Sweet Juniper!.

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